I have written a couple of times, recently, about my gradual loss of libidinal interest in the image that forms the heart of my book-in-progress, A Certain Gesture: Evnine’s Batman Meme Project and Its Parerga!, the image of Batman slapping Robin. (Even these last three words now have the unnatural and slightly repellent feel of something recently dead.)
This morning, as I mulled over the implications of this for my book for the millionth time, I thought bitterly to myself, “the operative metaphor for this project is no longer parergon but husk.” But not a minute later, it hit me that, of course, a husk is a parergon! A husk (in the sense of a shell) surrounds a seed in just the way a frame surrounds a painting. And a husk (in the sense of a dried-up, useless exterior – the sense in which I meant it as a new metaphor for the book) is a parergon without its ergon – an empty frame, an index pointing nowhere, an orphaned epilogue.
Each of my Batman meme movies (Evnine’s Batman Memes: The Movie and Gone!) carries an epigraph taken from a single episode of Angel (season 5, episode 16), entitled “Shells.” (Spoilers ahead.) Both epigraphs – “It’s gone. My world is gone” and “Is there anything in this life but grief?” – are spoken by the newly introduced character Illyria, who has taken up residence in the recently dead body of Fred, a body which is now a mere shell.
Illyria is easily my favorite character from the Buffyverse (and “Shells” one of my favorite episodes). I need to find some way to infuse her spirit into the husk that my book currently is. The image of Batman slapping Robin, as I have made clear on numerous occasions, initially appealed to me because of its representation of the sadomasochistic relationship between different parts of myself that was very prominent in my psychoanalysis around that time. Now my analysis is haunted by loss and grief that appears to me in thoughts about its termination. Not that I am yet considering termination – but I keep circling round and around that idea. I suppose that until one is ready for termination, its prospect must strike one with all the force of Illyria’s “It’s gone. My world is gone,” as she confronts the husk that is all that is left of her once-magnificent palace. But isn’t all life, after all, saturated with the fore-knowledge of loss? Is there, then, anything in this life but grief?
Gone! was my second Batman meme movie. It’s about the harsh slap in the face that is loss, in its many forms. Its title derives from the moment, in episode 16, season 5 of Angel, when the newly resurrected demon Illyria goes to call on her vast armies to dominate the world once again, only to find her palace of old deserted and in ruins. “It’s gone,” she says. “My world is gone.” (There is a brief shot of that moment at 1’13” in the movie.)
Back in February of this year, I wrote a post called “What if Batman stops slapping Robin?“. I talked about a growing sense that the image of Batman slapping Robin was losing its hold on my psyche and my concern about what that would mean for my book. Although it is hard to be precise about such matters, I shall designate November 5th 2019 as the day that Batman did, indeed, stop slapping Robin. The sadomasochistic relation to myself that made the image so activating for me has shifted. I now see it without any of the thrilling emotions it elicited at the height of my involvement with it. (My work on the slap sound effect that I wrote about here appears to me now as a last, desperate attempt to arouse those feelings again, to convince myself that nothing was happening.)
And what about the book, A Certain Gesture: Evnine’s Batman Meme Project and Its Parerga!? The initial memes, posted on Facebook between January and March, 2016, formed its nucleus and were driven by that deep libidinal connection I had to the image. Gradually, as I started to work seriously on the book, it became a magnet, attracting to itself all sorts of strange obsessions and hobby-horses of mine. I hope that the work done by the image and my fascination in it will be like the first stage of the Saturn V, the large booster needed to propel the rocket out of its inertia and which was then jettisoned over the ocean. And that the newly-attracted hobby-horses will be like the second stage, taking the rocket to the moon! (Actually, the second stage too was uncoupled and a third stage got it to the moon.) But it’s possible a more apposite metaphor is that the libidinal connection to the image was the head of a now decapitated chicken.
Mostly, this whole business is making me sad and aimless. I long for the zest provided by that sadomasochistic relation to myself. I long for the desire for self-humiliation. All I have to offer is this feeble simulacrum, a sort of last hurrah.